Posts Tagged ‘The Village Voice’

 

November 6th, 2009

From Belgian directors Stéphane Aubier and Vincent Patar, “A Town called Panic” opens in the States in December.

Chatting to Andy Bichlbaum of The Yes Men, Dan Lybarger
of Cineaste discovers “How a Video Programmer Became an Activist and Filmmaker.”

Andrea Arnold directs Katie Jarvis and Michael Fassbender (who is enjoying an exceptional 2009) in “Fish Tank.” The sophomore effort from the director of “Red Road” debuts in North America in January.

J. Hoberman of the Village Voice writes about the “First Lady of Film Alice Guy Blanché.”

One Film Wonder: In his autobiography, Wilt Chamberlain boasted he slept with 20,000 women. Hollywood was less accommodating; he appeared in only one motion picture. Ten years after his retirement from professional basketball, Chamberlain starred as a sidekick to Arnold Schwarzenegger in 1984’s “Conan the Destroyer.” In the sequel to “Conan the Barbarian,” he portrayed Bombaata, Conan’s double-crossing adversary. Chamberlain, who died in 1999, remains the leading rebounder in NBA history and is the fourth leading scorer.


September 11th, 2009

Inspired by his young daughter’s question, “Daddy, how come I don’t have good hair?” Chris Rock in November travels the globe in the Roadside Attractions documentary “Good Hair” to contemplate the roots of her query.

Juliette Binoche “Talks Paris and Dancing” with The Village Voice.

A hellaciously impressive cast — including George Clooney, Ewan McGregor, Jeff Bridges, Kevin Spacey and J.K. Simmons — cavorts in a too-crazy-not-to-be-true tale about military psychics in Grant Heslov’s “The Men Who Stare at Goats.” Based on Jon Ronson’s 2005 book detailing stupefying U.S. Army supernatural intel techniques, “Goats” opens in November.

In an absorbing interview about “Crude,” Marshall Fine discovers how, after initial reluctance, for the director of the seminal documentaries “Brother’s Keeper” and “Paradise Lost,” the legal battle waged against the nefarious decades-long assault by Texaco on Ecuador’s Amazonian rainforest became “the movie Joe Berlinger had to make.” “Crude” opens today, with a steadily widening release in North America through the rest of the year.

One Film Wonder: For the first 20 films of her Hollywood career, Dorothy Comingore was known professionally as Linda Winters, if she was known at all (nine of the roles were “uncredited.”). In 1941, at the age of 28, she appeared in her 21st movie for the first time under her given name. It was a significant role as the mistress who becomes the second wife of the film’s megalomaniacal protagonist; the film was “Citizen Kane,” the movie critically regarded as the greatest American motion picture of all time. Orson Welles cast Comingore as the unrefined Susan Alexander Kane, the reluctant singer for whom Charles Foster Kane built an opera house. In a notable performance, Comingore inhabited the role with a palpable pathos and a memorably shrill, henpecking delivery; she is particularly effective in the somber scenes at the “El Rancho” nightclub after Kane’s death. Comingore made only three more films until she was blacklisted in 1951 following her appearance before the House Committee on Un-American Activities.