Posts Tagged ‘The Yes Men’

 

November 6th, 2009

From Belgian directors Stéphane Aubier and Vincent Patar, “A Town called Panic” opens in the States in December.

Chatting to Andy Bichlbaum of The Yes Men, Dan Lybarger
of Cineaste discovers “How a Video Programmer Became an Activist and Filmmaker.”

Andrea Arnold directs Katie Jarvis and Michael Fassbender (who is enjoying an exceptional 2009) in “Fish Tank.” The sophomore effort from the director of “Red Road” debuts in North America in January.

J. Hoberman of the Village Voice writes about the “First Lady of Film Alice Guy Blanché.”

One Film Wonder: In his autobiography, Wilt Chamberlain boasted he slept with 20,000 women. Hollywood was less accommodating; he appeared in only one motion picture. Ten years after his retirement from professional basketball, Chamberlain starred as a sidekick to Arnold Schwarzenegger in 1984’s “Conan the Destroyer.” In the sequel to “Conan the Barbarian,” he portrayed Bombaata, Conan’s double-crossing adversary. Chamberlain, who died in 1999, remains the leading rebounder in NBA history and is the fourth leading scorer.


August 7th, 2009

Yes Men, They Can. “The Yes Men Fix the World” opened in the UK today. They’ll begin fixing U.S. theaters in October.

In Filmmaker Magazine, Esther B. Robinson uncovers “A Filmmaker’s Glamorous Life” as she learns that many of today’s working filmmakers have day jobs too.

The Coen Brothers will release the existential black comedy, “A Serious Man,” in October.

Marc Savlov of The Austin Chronicle finds A First-Class Seat to Stargazing chatting to the principals of the space travel documentary “Man on a Mission.”

One Film Wonder: At the 1959 Cannes Film Festival, “Araya” by Margot Benacerraf shared the International Critics Prize with Alain Resnais’ “Hiroshima, Mon Amour.” Milestone Films has restored Benacerraf’s evocatively shot film, which illustrates life in a Venezuelan salt mining village, during its 50th anniversary year. The 82-year-old Benacerraf has been influentially immersed in supporting and promoting Venezuelan art for decades but “Araya” remains the director’s only feature-length film.